[12], By general critical consent the libretto of Les pêcheurs de perles is a work of poor quality. [22] The Observer's reporter found "no trace of genuine inspiration", and drew unfavourable comparisons with Carmen. [40], In the latter years of the 20th century the opera was a regular feature in many European cities, and was still breaking new ground; in 1990 it made its debut at the Slovak National Theatre in Bratislava. Les Pêcheurs de perles, Synopsis. [49] The duet "Je frémis", says Dean, has clear hints of Verdi's Il trovatore, and the fiery chorus "Dès que le soleil" is reminiscent of a Mendelssohn scherzo, but otherwise the final act's music is weak and lacking in dramatic force. This idea eventually came to nothing; Ivan IV remained unperformed until 1946. il paraît sur le seuil de la tente L'orage s'est calmé. Although neither Nadir nor Zurga recognises her, she is the woman from Kandy with whom both had been in love. [9][21], The Sadler's Wells production was revived several times, but it was not until September 1987 that the company, by then transformed into English National Opera, replaced it with a new staging directed by Philip Prowse. [18], The premiere, originally planned for 14 September 1863, was postponed to the 30th because of the illness of the soprano lead, Léontine de Maësen. Trotz einer positiven Kritik von Hector Berlioz im Journal des débats erlebte die Oper zu Bizets Lebzeiten nur 18 Vorstellungen und geriet nach seinem Tod in Vergessenheit. [21] San Diego's director, Ian Campbell, suggested that his company's 2004 production was "created at a time when it seemed many U.S. opera companies were looking for a not-too-expensive production with melody, and a little off the beaten track .... [Our] Les pêcheurs de perles fitted the bill. [13] Carré was worried about the weak ending, and constantly sought suggestions for changing it; Curtiss records that in exasperation, the theatre manager Carvalho suggested that Carré burn the libretto. [35], In the early 1970s, Arthur Hammond orchestrated the sections of the neglected 1863 vocal score that had been cut out from the post-1886 scores. Synopsis: Les Pêcheurs de perles Synopsis: Libretto: Les Pêcheurs de perles Libretto: Translation(s): English Deutsch: Scene details: Type: instrumental: Role(s): n/a: Voice(s): n/a: Act: 1.01: Next scene: Sur la greve en feu: Diana Damrau: Bizet The Pearl Fishers, Metropolitan Opera (Leila's Aria Act 1) Singer: Diana Damrau. The "Brahma divin Brahma" chorus was adapted from the rejected Te Deum, and the chorus "Ah chante, chante encore" from Don Procopio. Les Pêcheurs de perles (The Pearl Fishers) Synopsis ACT I A wild beach in Ceylon The pearl fishers are dancing, feasting and drinking in anticipation of the diving season. The fugitive had rewarded her with a necklace that he asked her always to wear. [47], According to Lacombe, Les pêcheurs de perles is characteristic of French opéra lyrique, in particular through Bizet's use of arioso and dramatic recitative, his creation of atmospheres, and his evocation of the exotic. Carvalho had been offered an annual grant of 100,000 francs by the retiring Minister of Fine Arts, Count Walewski, on condition that each year he stage a new three-act opera from a recent Prix de Rome winner. He goes, promising to return next night, but as he leaves he is captured by the fishermen and brought back to the temple. Celebrate the 10th anniversary of the Met Opera’s Emmy Award-winning series The Met: Live in HD. Two concert performances were given using a new edition of the score, prepared by Brad Cohen after the discovery in the Bibliothèque nationale de France of Bizet's 1863 conducting score. Zurga und Nadir erneuern einen alten Treueschwur: In ihrer Jugend drohte ihre Freundschaft an einer sich entwickelnden Liebe zu einem Mädchen zu zerbrechen; sie verzichteten beide auf das Mädchen, um ihre Freundschaft zu erhalten. Star soprano Diana Damrau sings Leïla, the virgin priestess at the center of the story. Zurga and the fishermen go down to the sea, leaving Nadir alone. Alone in the temple, Leila prays and sings. Leila is brought in; Zurga is captivated by her beauty as he listens to her pleas for Nadir's life, but his jealousy is rekindled. It seems like, in those countries, the pearl fishers are part of a corporation under very strange laws and … [13] The opening chorus is punctuated by a lively dance—the critic John W. Klein describes it as "electrifying". Die Musik der Oper, ein Vorspiel gefolgt von 16 ineinander komponierten Nummern, ist geprägt durch das exotische, fernöstliche Sujet, das sich in Rhythmik, Melodik und der (nur rekonstruierbaren) Instrumentation widerspiegelt. He confesses his love for her, but refuses mercy ("Je suis jaloux"). METLive: Les Pecheurs de Perles Synopsis. Sensing the opportunity for a genuine theatrical success, Bizet accepted the commission. Les Pêcheurs de perles: Olga Kulchynska and Sergey Romanovsky sing «Léïla! [45] The third act, divided into two brief scenes, begins with Zurga's entrance to quiet chromatic scales played over a tonic pedal, an effect that Bizet would later use in his incidental music to L'Arlésienne. Even established French composers such as Gounod had difficulty getting works performed there. As the couple depart, singing of the life of love that awaits them, Zurga is left alone, to await the fishermen's return ("Plus de crainte...Rêves d'amour, adieu!"). 1863 First Perf ormance. Zurga seizes the necklace with a cry. opernhaus zürich Spielzeit 2010/2011 Directed by Tiziano Mancini. No. [28], The Met's first complete staging of the opera came 20 years later, on 13 November 1916, when a star cast that included Enrico Caruso, Frieda Hempel and Giuseppe De Luca gave three performances. [37] The Guardian's report on this production mentioned that the "Pearl Fishers Duet" had recently topped the list in a poll of the public's "best tunes", and described the opera as "one of the most sweetly tuneful in the French repertory". Sur une plage de Ceylan, les pêcheurs de perles achèvent de monter leur tente. Dieu puissant» Program booklet. Bei den Perlenfischern auf Ceylon ist seit altem Brauch Königswahl. Enjoy this French opera in Bethaniea, a French building in Hong Kong on 25th June. "The Story of the Opera": notes on Bizet's, "Je crois entendre" (I Hear as in a Dream), "Romance de Nadir" (encore of "Je crois entendre"), "Comme autrefois dans la nuit sombre" (Cavatine de Leila), Orchestra and Chorus of Capitole de Toulouse, "Cormon, Eugène (Piestre, Pierre-Etienne)", "Metopera Database: The Metropolitan Opera Archives", "Trials of an Opera Troupe that's 2d Fiddle", "Les Pêcheurs de Perles, Royal Opera House", "Review: Met Opera's 'Les Pêcheurs de Perles' | Operavore | WQXR", The New Grove Dictionary of Music and Musicians, International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Les_pêcheurs_de_perles&oldid=995089593, Opera world premieres at the Théâtre Lyrique, Articles with Italian-language sources (it), Pages containing links to subscription-only content, Articles containing Italian-language text, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 December 2020, at 04:31. Nadir enters, and is hailed by Zurga as a long-lost friend. Of the capital's two state-subsidised opera houses, the Opéra and the Opéra-Comique, the former offered a static repertoire in which works by foreign composers, particularly Rossini and Meyerbeer, were dominant. Erst nach dem Tod des Komponisten und dem überwältigenden Erfolg seiner Oper Carmen erinnerte man sich der früheren Werke. [14], Because he did not receive Carvalho's commission until April 1863, with the projected opening night set for mid-September, Bizet composed quickly with, Curtiss says, "a tenacity and concentration quite foreign to him in his Roman days". [9], Productions continued to proliferate in Europe, and further afield; on 25 August 1893 the opera received its American premiere in Philadelphia. [30] Paris's Opéra-Comique staged a more traditional production in 1932, and again in 1938, Bizet's centenary year. A violent storm erupts, as the fishermen unite in singing a hymn to Brahma ("Brahma divin Brahma!"). Dean likens this song to Micaela's aria "Je dis que rien ne m'épouvante" from Carmen. Informationen; Synopsis (de) Synopsis (en) Synopsis (it) Libretto (de) Libretto (fr) Libretto (en) Noten; HIGHLIGHTS; ACT I A wild beach in Ceylon The pearl fishers are dancing, feasting and drinking in anticipation of the diving season. The Plasson version of 1989, while using the 1863 score, gives listeners two versions of the duet: the curtailed form in which it appeared in Bizet's original, and the extended version in which it became more popularly known. In the post-1886 revisions the act 1 "Amitié sainte" duet was replaced with a reprise of "Au fond du temple saint". [36][51], A trend towards greater authenticity began after Hammond's orchestrations in the 1970s provided a basis for staging the work in its original form. 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